#Tc electronic mimiq signal path professional
Orange 4x12Īll superbly captured in a professional studio using SM57 / Beyer M160 combination through Neve Mic Pre and RETRO 2A3 EQ.Īs an engineer I have a vast amount of experience in rock styles including charting songs in Australia and radio play.Īll sounds are natural guitar tones with no FX or extreme settings. You could keep the parallel 100% wet signal setup and just use a switch on an FC or other controller to shut off Loop 3, keeping the Mimiq turned on the whole time without any problems, I think.I have available single amp profiles as well as an All for "$30 Offer" I'm always kind of playing and messing with it, but I think it was messing up the core tone just a little running in parallel, fwiw.Įdit: Ok, now that I've been playing with it a little more, I was running into comb filtering in the parallel setup with my original post because I was keeping Loop 3 engaged and just bypassing the Mimiq using the Mimic's switch, and not shutting down the whole loop, which was reintroducing the dry bypass (slightly delayed) signal from the Mimiq back to the dry signal in the patch, and it was combing on bypass.
#Tc electronic mimiq signal path Patch
I've currently got it set up like this, using a modified patch from Wahl at Worship Guitar Tutorials. I think there's a little comb filtering going on that way because of the digital/analog conversion process in the loop introducing a tiny delay (I ran into this when putting analog drives into the loop and running them parallel to the internal signal, and another forum member here-I forget who- pointed it out to me) compared to the parallel dry signal, so I've started setting up my patches with the Mimiq with the Loop 3 (which has the Mimiq in stereo, just like above), and Loop 3 in series, so that the whole signal goes through the loop, and it avoids the comb filtering. All this is only for a stereo setup of Stark - I'm glad it's working for you! I've been messing with this a little more, and I think I need to change my advice posted above a little- I think running the Mimiq in a parallel loop isn't the best way to do it. Your tone stays just as you like it but it really does something that no other pedal or plugin does. If anyone has given a thought to the Mimiq, I say go for it. Regardless of the Mimiq and the help you guys have given me, the Axe FX III is so good it almost seems ridiculous. Maintains the punch when I’m playing through monitors. I kind of feel guilty not needing the Enhancer when using headphones anymore but the Mimiq does a better job with headphones and my monitors. So many of the amps steal my attention for hours at a time Playing with the levels on the Mimiq and in the blocks along with the “dubs” switch on the pedal gives so many flavours of depth and space.
I’m new to the Axe Fx, so using fx loops and delving into more complex routing hasn’t happened yet. I’m going to create a patch that follows the setup you have created in the image you posted and see what happens. So I followed your directions from your initial post and it works perfectly. One last important thing- don’t forget to turn the Output 3 volume on the front of the Axe all the way up!Įdit- see post #11 below- part of this is bad advice- I don't recommend setting up a Mimiq loop in parallel- explained in post #11. I’m not in front of my rig right now, but I’ll check mine and report back when I can. You’ll have to experiment with pedal settings that you like- it’s a matter of taste.
If you run the Mimiq in parallel, you’ll probably want to run the pedal with no dry signal, because the dry unaffected tone is already making it through. You can set up the Output / Input 3 blocks in serial, or as a parallel line- it will effect how you much dry you want the Mimiq to send through. I’ve tried between the amp and cab, and also post cab, and both have worked well. In your patch, set up the Output 3 block and Input 3 block where you want the Mimiq to be doing it’s thing. Then the two outputs of the Mimiq back into the #3 inputs of the Axe Fx. I use the mimiq with my Axe 3 in the fx loop- set it up with the #3 output going into the pedal in stereo, so you have both the L and R #3 outputs going into the Mimiq.
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